![]() 1987, photo by François Bernardi Ma– The Graduate Center Online registration will be open until March 27 same-day onsite registration will be available.Įnrique Morente, Paco Cortés, Pepe and Antonio Montoya Carbonell, ca. Speakers and schedule are detailed below. Registration is now available through Eventbrite: symposium – film screenings. Admission is free, registration is required. Specific topics such as flamenco and jazz, flamenco and the folk music scene of the 1950s and 60s, U.S.-based flamenco dance companies, Spanish dance in the early modern dance pioneers of the early-twentieth century, Spanish dance in blackface minstrelsy etc.recording techniques have impacted flamenco. From player pianos to digital technology: how U.S.From Sol Hurok to Claudio Segovia and Héctor Orezzoli to Miguel Marín, how have producers and impresarios shaped flamenco in the U.S.?. ![]() Bibliographies, filmographies, and discographies of flamenco in the U.S.institutions such as universities, high schools, private studios, community centers, research centers, libraries, museums, etc. Mapping the presence of flamenco in U.S.scholars shaped flamencology in both the U.S. performers and audiences on the development of flamenco? Questions and topics to be considered may include: O, Fanny Elssler!…even before we came to Spain, we suspected that it was you who invented the cachucha!” Parakilas, “How Spain Got a Soul,” 148, cites Théophile Gautier, Patrick Berthier, ed., Voyage en Espagne, suivi de España (Paris: Gallimard, 1981), 45 translated in Théophile Gautier, and Henry Christie Steel, Voyage en Espagne (Boston: D.C. “Spanish dances only exist in Paris, just as seashells are found only in curiosity shops, never at the seashore. As nineteenth-century French dance critic Théophile Gautier wrote of his 1840 visit to Spain, have reflected back upon and contributed to the development of their original models. stages from the last decades of the nineteenth century, and this conference aims to explore how manifestations of flamenco in the U.S. About the Conference Zambra Tablao Rosa Durán at Worlds Fair 1965, courtesy of Brook Zernįlamenco in the United States will gather scholars from a range of fields in an interdisciplinary conference highlighting the influence of the United States, through its institutions, scholars, performing artists, and audiences, on flamenco as a global form.
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